| Name Sort by name
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Code Sort by code
|
Type Sort by type
|
| "EARLY MODERN WOMEN WRITERS: MOTHERS, QUEENS, PROPHETS, REBELS, SERVANTS, ISTERS, WIVES" |
ENU33042 |
Module |
| "MARRIAGE, SEX AND POWER IN EIGHTEENTH CENTURY IRELAND" |
ENU33036 |
Module |
| "THE CARE & FEEDING OF LONG POEMS" |
ENU44121 |
Module |
| A SENSE OF IRELAND: REPRESENTING IRELAND IN POST-WAR BRITAIN |
ENU34089 |
Module |
| A TOUR OF THE AMERICAN SHORT STORY |
ENU33062 |
Module |
| ADVENTURES IN HEL |
ENU44038 |
Module |
| AGENCY AND EMPOWERMENT IN LITERATURE FOR YOUNG ADULTS |
EN7119 |
Module |
| AMERICAN GOTHIC HISTORICAL FICTION |
ENP11036 |
Module |
| AMIABLE HUSTLERS: HOW TO SELL A CHILDREN'S BOOK |
ENU33068 |
Module |
| ANGLO-SAXON IDENTITY |
ENU22009 |
Module |
| ART WRITING |
ENU44005 |
Module |
| ARTHUR CONAN DOYLE |
ENU44118 |
Module |
| ARTHURIAN LITERATURE |
ENU44069 |
Module |
| ARTISTS' WRITING IN CONTEMPORARY IRELAND |
ENU44127 |
Module |
| BACK ON THE FARM: KAVANAGH, MCGAHERN, HEANEY |
ENU44075 |
Module |
| BECKETT'S THREE NOVELS PLUS MINUS |
ENU33045 |
Module |
| Beckett's Three Novels Plus Minus |
ENU44057 |
Module |
| Beckett: Afterlives |
ENU34105 |
Module |
| BECKETT’S CONTEMPORARIES: CREATIVE AFFINITIES WITH LOUISE BOURGEOIS, BARBARA BRAY, SUZANNE DUMESNIL, AND CLARICE LISPECT |
ENU44134 |
Module |
| BEFORE AND AFTER THE WASTE LAND |
ENU44101 |
Module |
| BEGINNING OLD ENGLISH |
ENU22019 |
Module |
| BEOWULF |
ENU33035 |
Module |
| BEOWULF |
ENU44044 |
Module |
| BIG HOUSE LITERATURE |
EN7090 |
Module |
| BLACK AND WHITE IN AMERICA: THE INTERRACIAL DRAMA |
ENU44062 |
Module |
| BOYHOOD AND CHILDREN'S LITERATURE |
ENU44012 |
Module |
| BOYHOOD AND CHILDREN'S LITERATURE |
ENU33024 |
Module |
| BRIENA STAUNTON THE PRACTICE OF WRITING SEMINAR |
ENP11031 |
Module |
| BRIENA STAUNTON THE PRACTICE OF WRITING SEMINAR |
EN7014 |
Module |
| BRITISH ROMANTIC LITERATURE, 1789 -1830 |
ENU22002 |
Module |
| CARIBBEAN LITERATURE |
ENP11020 |
Module |
| Censorship and Irish Writing |
ENU33008 |
Module |
| CENSORSHIP AND IRISH WRITING |
ENU33022 |
Module |
| CENSORSHIP AND IRISH WRITING |
ENU33072 |
Module |
| CHAUCER AND THE ITALIAN TRECENTO |
ENP33139 |
Module |
| CHAUCER THEN AND NOW |
ENP11039 |
Module |
| CHAUCER'S CANTERBURY TALES |
ENU44084 |
Module |
| Chaucer's Canterbury Tales |
ENU44063 |
Module |
| CHILDHOOD, YOUTH AND IRISH WRITING |
ENU44022 |
Module |
| CHILDREN'S LITERATURE |
ENU22026 |
Module |
| CHILDREN'S LITERATURE: COLLECTIONS AND RECOLLECTIONS |
ENU44015 |
Module |
| CITIES IN LITERATURE |
ENU22024 |
Module |
| CLASS IN TWENTY AND TWENTY-FIRST CENTURY IRISH LITERATURE |
ENU44120 |
Module |
| CONDITIONS OF IRISH WRITING |
ENP11006 |
Module |
| CONTEMPORARY AMERICAN WOMENS FANTASTIC FICTION |
ENU33046 |
Module |
| CONTEMPORARY IRISH SHORT FICTION |
ENP11042 |
Module |
| CONTEMPORARY IRISH WOMEN WRITERS |
ENU33077 |
Module |
| CONTEMPORARY IRISH WRITING |
ENU22022 |
Module |
| Coracle Press and Erica Van Horn:Living Locally |
ENU34086 |
Module |
| CREATIVE WRITING |
EN7121 |
Module |
| CREATIVE WRITING MT |
ENU44003 |
Module |
| CREATIVE WRITING: HOW THE WEATHER WAS |
ENU34092 |
Module |
| CREATIVE WRITING: HOW THE WEATHER WAS |
ENU44105 |
Module |
| CREATIVE WRITING: THE WRITER'S VISION |
ENU34095 |
Module |
| CREATIVE WRITING: THE WRITER'S VISION |
ENU44111 |
Module |
| Cultural Encounters in Eighteenth-Century |
ENU34084 |
Module |
| CULTURAL ENCOUNTERS IN THE GLOBAL EIGHTEENTH CENTURY |
ENU44106 |
Module |
| CULTURES OF RETELLING |
ENU11006 |
Module |
| DEAD BUT DREAMING: WRITING UNDEAD GODS FROM PLUTARCH TO LOVECRAFT |
ENU44135 |
Module |
| DELEUZE AND LITERATURE: CONCEPTUALIZING THE CREATIVE PROCESS |
ENP11035 |
Module |
| DEMONS, GHOSTS AND DEVILS: THE SUPERNATURAL IN CONTEMPORARY LITERATURE AND FILM |
ENU44103 |
Module |
| DIGITAL HUMANITIES NOW |
ENU44004 |
Module |
| DIGITAL SCHOLARLY EDITING |
EN7109 |
Module |
| DISTANT READING |
ENU44089 |
Module |
| DISTANT READING |
ENU33038 |
Module |
| EARLY AMERICAN WRITING. |
ENU44115 |
Module |
| EARLY MODERN LITERATURE: THEMES, TEXTS AND CONTEXTS |
ENU11004 |
Module |
| EARLY MODERN WOMEN WRITERS: MOTHERS, QUEENS, PROPHETS, REBELS, SERVANTS, SISTERS, WIVES |
ENU44036 |
Module |
| EAVAN BOLAND AND MODERN IRISH POETRY |
ENP11011 |
Module |
| ENLIGHTENMENT: THE MAKING OF THE MODERN WORLD |
ENU34110 |
Module |
| Environmental Picturebooks, Ecocriticism and Visual texts for Children |
ENU33004 |
Module |
| ENVIRONMENTAL PICTUREBOOKS: ECOCRITICISM AND VISUAL TEXTS FOR CHILDREN |
ENU33048 |
Module |
| ERICA VAN HORN: AN AMERICAN BOOK ARTIST IN RURAL TIPPERARY |
ENU33071 |
Module |
| Experiments in Time |
ENU34083 |
Module |
| EXPERIMENTS WITH TIME |
ENP11026 |
Module |
| EXPLORING HERITAGE COLLECTIONS |
ENU33017 |
Module |
| FABLES |
ENU22018 |
Module |
| FIGURES IN LANDSCAPES: THE BODY AND ITS HORIZON IN LITERATURE |
ENU44123 |
Module |
| FOOD WRITING IN ENGLISH LITERATURE |
ENU33020 |
Module |
| FROM NEOLIBERALISM TO DONALD TRUMP: CONTEMPORARY US FICTION AND FILM’ |
ENU44045 |
Module |
| GENDERS AND SEXUALITIES IN CHILDREN'S LITERATURE |
ENU33051 |
Module |
| GENRES: INTRODUCTION TO LITERARY STUDIES |
ENU11008 |
Module |
| GEORGE ORWELL |
ENU34087 |
Module |
| GLOBAL SHAKESPEARE: 20TH & 21ST CENTURY ADAPTIONS ON STAGE, PAGE & FILM FROM ARO |
ENU44017 |
Module |
| Hamlet in Theory |
ENU44061 |
Module |
| HEANEY'S PROSE |
ENU44039 |
Module |
| HEANEY’S NORTH AND ITS AFTERLIVES |
ENU33050 |
Module |
| HOME AND AWAY IN CHILDREN'S LITERATURE |
ENU44009 |
Module |
| HOW DO WE TELL THE CHILDREN? DEATH AND TRAUMA IN CHILDREN’S LITERATURE |
ENP11037 |
Module |
| How Do We Tell the Children?: Trauma and Death in Children's Literature |
ENU34088 |
Module |
| HUMANS, OTHER ANIMALS, AND LITERARY GENRES |
ENU34091 |
Module |
| HUMANS, OTHER ANIMALS, AND LITERARY GENRES |
ENU44108 |
Module |
| HYBRIDS OF LAW IN EARLY MODERN LITERATURE |
ENU34109 |
Module |
| IMAGINING THE CONTEMPORARY: NO FUTURE? |
ENU22008 |
Module |
| IMAGINING THE MIDDLE AGES |
ENU11009 |
Module |
| INTRODUCTION TO MODERNISM |
ENU22011 |
Module |
| INTRODUCTION TO POST-COLONIAL LIT & THEORY |
ENU22013 |
Module |
| IRELAND ON STAGE |
EN7003 |
Module |
| Irish English |
ENU44070 |
Module |
| IRISH POETRY AFTER YEATS |
EN7098 |
Module |
| IRISH POETRY AMID THE REVIVAL |
ENU33066 |
Module |
| IRISH SHORT FICTION |
ENU44085 |
Module |
| IRISH SHORT FICTION |
ENU44029 |
Module |
| IRISH WRITING |
ENU11003 |
Module |
| IT CAME FROM THE 1950S! AMERICAN POPULAR FICTION DURING THE COLD WAR ERA |
ENU33010 |
Module |
| JONATHAN SWIFT |
ENU33063 |
Module |
| JOYCE: ULYSSES |
ENP11008 |
Module |
| KEEPING GOING: SEAMUS HEANEY AND ARTISTIC COMMITMENT |
ENU44137 |
Module |
| Landscape and the Environment in Children's Literature |
ENP11003 |
Module |
| LITERARY PROPERTIES |
ENU44102 |
Module |
| LITERARY PROPERTIES |
ENU33041 |
Module |
| LITERARY THEORIES |
ENU22004 |
Module |
| LITERATURE AFTER DARWIN |
ENU44112 |
Module |
| LITERATURE AFTER DARWIN |
ENU34103 |
Module |
| Literature and Economics |
ENU44078 |
Module |
| Literature, Culture and Identity in England, 1945-1973 |
ENU44082 |
Module |
| LOST WORLDS: EDWARDIAN ADVENTURE FICTION |
ENP11019 |
Module |
| LOST WORLDS: VICTORIAN AND EDWARDIAN ADVENTURE FICTION |
ENU44104 |
Module |
| MAKING DIGITAL EDITIONS |
ENP11021 |
Module |
| MAKING SHAKESPEARE: FROM RENAISSANCE TO THE TWENTY-FIRST CENTURY |
ENU44064 |
Module |
| Mapping Literary Dublin |
ENP11001 |
Module |
| MAPPING THE LITERARY FIELD |
ENP11013 |
Module |
| MARIA EDGEWORTH |
ENP11009 |
Module |
| MARRIAGE, SEX, AND GENRE IN EIGHTEENTH-CENTURY IRELAND |
ENU33057 |
Module |
| MATERIAL CULTURE AND CHILDREN'S LITERATURE |
ENP11017 |
Module |
| MATERIAL CULTURE IN CHILDREN'S LITERATURE |
EN7117 |
Module |
| MEDIEVAL MANUSCRIPTS |
ENU34097 |
Module |
| MEDIEVAL MANUSCRIPTS |
ENU44124 |
Module |
| Middle English |
ENP77137 |
Module |
| Milton and Wordsworth: The Nature of Judgment |
ENU34098 |
Module |
| MILTON: POETRY, PROPHECY AND POLEMIC |
ENU44080 |
Module |
| MODERN IRISH WRITING |
ENU50000 |
Module |
| MODERN IRISH WRITING |
EN5000 |
Module |
| MODERNISMS: MAKING IT NEW |
ENU22006 |
Module |
| MODERNIST ESSAYISMS |
ENU33058 |
Module |
| NINETEENTH-CENTURY ART WRITING |
ENU44119 |
Module |
| NINETEENTH-CENTURY DETECTIVE FICTION: THE RIVALS OF SHERLOCK HOLMES |
ENU44016 |
Module |
| NOISE AND POWER IN LITERATURE |
ENU44107 |
Module |
| NOISE AND POWER IN LITERATURE |
ENU33059 |
Module |
| NON-REALIST WRITING (C19TH AND C20TH) |
ENU22012 |
Module |
| NONHUMAN WRITING |
ENU33023 |
Module |
| NORTHERN IRISH LITERATURE AND THE TROUBLES |
ENU22020 |
Module |
| Not your Sunday Psychogeographers: Place and Practice in Contemporary small Presses |
ENU44073 |
Module |
| OLD ENGLISH |
ENP77138 |
Module |
| OLD ENGLISH PHILOLOGY |
ENP77141 |
Module |
| Old English Poetry |
ENP33140 |
Module |
| OLD NORSE |
ENP11044 |
Module |
| ORIGINS OF ENGLISH |
ENU11012 |
Module |
| ORIGINS OF ENGLISH 1 |
ENU11010 |
Module |
| ORIGINS OF ENGLISH 2 |
ENU11005 |
Module |
| Passions of the Past |
ENU44081 |
Module |
| PAST AND PRESENT: IRISH THEATRE SINCE 1964 |
ENU34107 |
Module |
| PAST AND PRESENT: IRISH THEATRE SINCE 1964 |
ENU33060 |
Module |
| PERSPECTIVES AND CASE STUDIES IN CHILDREN'S LITERATURE |
EN7074 |
Module |
| PERSPECTIVES AND CASE STUDIES IN CHILDREN'S LITERATURE |
ENP11025 |
Module |
| PERSPECTIVES IN IRISH WRITING |
EN7056 |
Module |
| PERSPECTIVES IN MODERN AND CONTEMPORARY LITERARY STUDIES |
ENP11022 |
Module |
| PLACE AND TIME IN CHILDREN'S LITERATURE |
ENU34111 |
Module |
| POEMS OF PROTEST |
ENP11043 |
Module |
| POETRY |
EN1027 |
Module |
| POETRY IN PRACTICE: FORM, VOICE, IMAGE (CREATIVE WRITING) |
ENU33054 |
Module |
| POETS, PLAYWRIGHTS AND PROSTITUTES: LITERARY LIFE IN EIGHTEENTH-CENTURY IRELAND |
ENU44027 |
Module |
| POPULAR LITERATURE |
ENU22016 |
Module |
| POSTCOLONIAL LITERATURE: INTRODUCTION TO KEY DEBATES AND TEXTS |
ENU22007 |
Module |
| Postcolonial Memoirs |
ENU33007 |
Module |
| PRACTICE OF POETRY |
ENP11004 |
Module |
| PULP: INTRODUCTION TO POPULAR LITERATURE |
ENU11007 |
Module |
| READING AND RESEARCH |
ENP11007 |
Module |
| READING AND RESEARCHING |
ENP11023 |
Module |
| READING CHAUCER IN THE 21ST CENTURY |
ENU44109 |
Module |
| READING DON DELILLO: UNDERWORLD |
ENU33006 |
Module |
| READING FOR RESEARCH |
EN7120 |
Module |
| READING IRELAND A |
ENU44055 |
Module |
| READING IRELAND B |
ENU44056 |
Module |
| Reading like a Victorian: Wilkie Collins's The Woman in White (1859-1860) in serial form |
ENU44059 |
Module |
| READING LIKE A VICTORIAN: WILKIE COLLINS’S THE WOMAN IN WHITE (1859‐1860) |
ENU33019 |
Module |
| READING MOBY DICK |
ENU33040 |
Module |
| READING THE BIBLE AS LITERATURE |
ENU44110 |
Module |
| READING THE IRISH CITY |
ENU44007 |
Module |
| REALISM AND THE NOVEL |
ENU22015 |
Module |
| REALISM, MODERNISM, POSTMODERNISM: AMERICAN PROSE LITERATURE IN THE 1960S |
ENU33015 |
Module |
| REMEMBERING IRELAND IN MEMOIR |
ENU44132 |
Module |
| RESEARCH SKILLS FOR POSTGRADUATE ENGLISH (MT) |
ENP11005 |
Module |
| RIVALS OF SHERLOCK HOLMES |
ENU33025 |
Module |
| SAMUEL BECKETT AND ENVIRONMENTAL HUMANITIES |
ENP11010 |
Module |
| SAMUEL BECKETT: AFTERLIVES |
ENU44031 |
Module |
| SAMUEL BECKETT’S WORLDS |
ENP11041 |
Module |
| SHAKESPEARE |
ENU11001 |
Module |
| SHAKESPEARE IN CLOSE-UP: HENRY V |
ENU33014 |
Module |
| Shakespeare in Ireland |
ENU44074 |
Module |
| SHAKESPEARE IN IRELAND |
ENU33033 |
Module |
| SHAKESPEARE: TEXT, STAGE, SCREEN |
ENU22010 |
Module |
| SHEDUNNIT: WOMEN’S CRIME FICTION FROM THE 19TH TO 21ST CENTURY |
ENP11028 |
Module |
| Shifting Scenes: Irish Theatre 1960-2020 |
EN7134 |
Module |
| Sin and Sublimity: The Writings of Percy Bysshe Shelley |
ENU44068 |
Module |
| SINGLE AUTHOR: DICKENS |
ENU22025 |
Module |
| SINGLE AUTHORS |
EN7057 |
Module |
| SLOW SHAKESPEARE: READING HENRY V |
ENU44126 |
Module |
| SO MANY SELVES: REPRESENTING THE SELF IN US POETRY, 1855-PRESENT |
ENP11027 |
Module |
| SPIRIT POSSESSION AND EXORCISM IN DRAMA AND NARRATIVE |
ENU33044 |
Module |
| STRUCTURE IN FICTION AND POETRY |
EN7133 |
Module |
| SURVIVING TRAUMA IN THE MIDDLE AGES |
ENU44052 |
Module |
| SURVIVING TRAUMA IN THE MIDDLE AGES |
ENU33031 |
Module |
| THE AMERICAN CLASSIC: ROMANCE TO MODERNISM |
ENU44122 |
Module |
| THE AMERICAN NIGHTMARE: HORROR FICTION AND FILM FROM THE 1950'S |
EN7046 |
Module |
| THE ART OF MURDER: NINETEENTH TO TWENTY-FIRST CENTURY CRIME WRITING |
ENU44079 |
Module |
| THE ART OF NON- FICTION |
ENU44023 |
Module |
| THE ART OF WRITING WAR: DAVID JONES |
ENU34108 |
Module |
| THE ARTHURIAN TRADITION |
ENU34099 |
Module |
| The Beginnings for the American Essay |
ENU34106 |
Module |
| THE BOOK |
ENU44001 |
Module |
| THE BOOK A |
ENU33001 |
Module |
| The Book B |
ENU44006 |
Module |
| THE CITY AND CHILDREN'S LITERATURE |
ENP11016 |
Module |
| THE CITY AND CHILDREN'S LITERATURE |
ENP11002 |
Module |
| THE DARKER SIDE OF CHILDREN'S LITERATURE: ROBERT CORMIER AS CASE STUDY |
ENU33021 |
Module |
| THE DISCOURSE OF DISCOVERY IN ENGLISH RENAISSANCE WRITING 1500-1630 |
ENU22021 |
Module |
| THE ENGLISH ESTATE NOVEL |
ENU33027 |
Module |
| THE ENGLISH ESTATE NOVEL |
ENU44047 |
Module |
| THE GHOST STORY |
ENU33067 |
Module |
| The Hidden Law in Literature |
ENU34085 |
Module |
| THE HISTORY PLAY: SHAKESPEARE AND AFTER |
ENU44113 |
Module |
| THE LITERATURE OF EATING |
ENU33039 |
Module |
| THE MAKING OF 16C. IDENTITY |
ENU22017 |
Module |
| THE MARRIAGE PLOT |
ENU34102 |
Module |
| THE MEDIEVAL BOOK |
ENU44010 |
Module |
| The Pain of Unbelonging: Settler Writing from Canada, South America and the Pacific |
ENU44066 |
Module |
| THE PAIN OF UNBELONGING: WRITING FROM CANADA, SOUTH AMERICA AND AUSTRALASIA |
ENU44054 |
Module |
| THE PAIN OF UNBELONGING: WRITING FROM CANADA, SOUTH AMERICA AND AUSTRALASIA |
ENU33032 |
Module |
| The Philosophers and the Poets |
ENU44060 |
Module |
| THE POETRY OF VISION’: ARTISTS’ WRITING, ARTISTS’ PUBLISHING IN CONTEMPORARY IRELAND |
ENU34104 |
Module |
| THE PRACTICE OF POETRY |
ENU44114 |
Module |
| THE PRACTICE OF POETRY |
ENU34096 |
Module |
| THE SEVEN BASIC PLOTS |
ENU44011 |
Module |
| THE SEVEN BASIC PLOTS |
ENU33034 |
Module |
| THE VICTORIAN CHILD |
ENP11014 |
Module |
| THE VICTORIAN CHILD |
EN7027 |
Module |
| THE VICTORIAN GOTHIC |
ENU44018 |
Module |
| THE VICTORIAN GOTHIC |
ENU33026 |
Module |
| The War on Ideas: Politics, Plebeians and Paranoia in the 1790s |
ENU44072 |
Module |
| THE WILD CHILD: 'WILDNESS' AND CHILDREN'S LITERATURE |
ENU44116 |
Module |
| The Wild Child: Wildness in Childrens Literature |
ENU34090 |
Module |
| The Writings of Oliver Goldsmith |
ENU44058 |
Module |
| THE “OTHER” IN EARLY MODERN ENGLISH DRAMA |
ENU33069 |
Module |
| THEATRE IN CONTEXT: THE DUBLIN STAGE 1900-1961 |
ENU44046 |
Module |
| THIS AND OTHER WORLDS: GLOBAL CHILDREN’S FANTASY |
ENP11034 |
Module |
| Translating Poetry |
ENU34100 |
Module |
| TRAVEL AND ENGLISH LITERATURE |
TEU00292 |
Module |
| TRAVEL AND ENGLISH LITERATURE |
TEU00291 |
Module |
| TRUE CRIME AND CONTEMPORARY CULTURE |
ENU33055 |
Module |
| TWENTIETH-CENTURY IRISH POETRY AFTER YEATS |
ENU44065 |
Module |
| ULYSSES IN CONTEXT I |
ENU33028 |
Module |
| ULYSSES IN CONTEXT II |
ENU33037 |
Module |
| ULYSSES IN CONTEXTS I |
ENU44050 |
Module |
| ULYSSES IN CONTEXTS II |
ENU44051 |
Module |
| US AMERICAN ESSAYS |
ENU44043 |
Module |
| US AMERICAN IDENTITIES |
ENU11011 |
Module |
| US AMERICAN IDENTITIES: HARLEM RENAISSANCE TO THE PRESENT |
ENU22003 |
Module |
| US AMERICAN SHORT FICTION |
ENU44013 |
Module |
| US Poetry from Whitman to Modernism |
ENU34093 |
Module |
| US POETRY SINCE 1945 |
ENU44008 |
Module |
| VICTORIAN DETECTIVE FICTION |
EN7108 |
Module |
| VICTORIAN WRITING |
ENU22005 |
Module |
| VICTORIANISM |
ENU22014 |
Module |
| VIOLENCE AND CONTEMPORARY IRISH FICTION |
ENU33049 |
Module |
| VIRGINIA WOOLF: LITERATURE AT WAR |
ENU44021 |
Module |
| W.B. YEATS |
ENU33053 |
Module |
| WAKING FROM THE NIGHTMARE: RE-TELLING IRELAND’S HISTORY, 1922-2022. |
ENU34114 |
Module |
| WALKING |
ENU44083 |
Module |
| What is Literature? |
ENU33009 |
Module |
| WILLIAM FAULKNER: THE LAST NOVELIST |
ENU33018 |
Module |
| WOMEN IN MEDIEVAL LITERATURE: AUTHORS, AUDIENCES AND PATRONS |
ENU44040 |
Module |
| WORKSHOPS IN CREATIVE WRITING HILARY TERM |
ENP11030 |
Module |
| WORKSHOPS IN CREATIVE WRITING HILARY TERM |
EN7007 |
Module |
| WORKSHOPS IN CREATIVE WRITING MICHAELMAS TERM |
ENP11029 |
Module |
| WORKSHOPS IN CREATIVE WRITING MICHAELMAS TERM |
EN7000 |
Module |
| WRITER FELLOW SPECIALIST WORKSHOP |
EN7020 |
Module |
| WRITER FELLOW SPECIALIST WORKSHOP |
ENP11032 |
Module |
| Writer Fellow Specialist Workshop |
ENP77135 |
Module |
| WRITING CHILDHOODS |
ENU11002 |
Module |
| WRITING FOR A LIVING |
EN7116 |
Module |
| WRITING FOR A LIVING |
ENP11033 |
Module |
| WRITING FROM THE CREOLE AMERICAS |
ENU44077 |
Module |
| WRITING POSTWAR ENGLAND |
ENU44138 |
Module |
| WRITING PROSE FICTION: A TOOLKIT |
ENU44131 |
Module |
| WRITING REBELLION |
ENU44071 |
Module |
| WRITING REBELLION |
ENU33029 |
Module |
| WRITING SHORT FORM PROSE |
ENU33078 |
Module |
| WRITING THE BODY, 1690 - 1800: RACE, GENDER AND POWER |
ENU22001 |
Module |
| Writing the Reformation |
ENU33005 |
Module |
| YEATS |
ENU44048 |
Module |
| YEATS AND MODERN IRISH THEATRE |
ENU34094 |
Module |